When I sat down to talk with Stalking Gia after her performance at Mercury Lounge on June 10th, I was not sure what to expect. She was a gorgeous singer with an epic voice, and I was still sweating from the M14 bus I had taken three hours ago to get to the show. I was worried that she would have an ego to match her talent—but I lucked out. Not only was Gia incredibly kind, but she was a wealth of musical knowledge and passion. In fact, the first thing she did when we sat down was gush about movie soundtracks.
“I’m obsessed,” she cooed. Soundtracks, particularly Donny Darko and American Beauty, influenced her first album, which she admits took a long time to write. She spent two years in LA putting the album together.
But after spending all that time in California, Gia has returned to New York and completed her third show in the city. Why did she leave LA?
“I had to get out of there before San Andreas happened,” she joked. “That earthquake is way overdue I don’t want to be there when it happens.” More seriously, she notes, “there’s nothing like a New York show.”
Her Mercury Lounge performance was number three in her triumphant return to the city, and she has evolved rapidly in her short time back on the East Coast. She has made drastic changes since her first show at Pianos, moving from long setlists with no drummer to shorter, more immersive shows with all live beats. She describes her end goal for live shows as “a reenactment of Snow White.” She believes shows need to be not just heard, but felt. In the studio, “it’s more electronic,” she says. But eventually she hopes “to hire a full band, an orchestra, and have a really epic, evolved sound.”
We discuss what makes her music so transformative— “when you’re writing for publishers you have to have this word and this sound¸ they have to be in control… but I sneak in my own ideas.” She concludes, “people want authenticity.” And that’s exactly what she gives them.
Check out the full photo gallery here!