BECKERBELIEVEIT
  • Home
  • Photography
    • Music
    • Portraits
    • Abstract
    • Interior/Exterior
  • Art
    • Traditional Media
    • Digital Art
    • Sketchbook
    • Journal
    • Design
  • About
  • Shop
  • Home
  • Photography
    • Music
    • Portraits
    • Abstract
    • Interior/Exterior
  • Art
    • Traditional Media
    • Digital Art
    • Sketchbook
    • Journal
    • Design
  • About
  • Shop

What Will Be For Que Sera

7/25/2015

1 Comment

 
Recently I sat down with post-hardcore Que Sera at Fat Baby's, and I was STOKED as heck, because they're one of my favorite up-and-coming rock acts right now. They'll be on tour until August 3rd, and I highly recommend  going out to catch a show.

Que Sera are incredibly enthusiastic about touring, everyone is in high spirits, excited for the chance to meet people on a common ground-- as a newer group fans are coming out not for the name of the band but for the shared love of music-- excited to try the best food in every city they visit, and  excited to promote their album "Nomad" -- they're even excited about the album being leaked online. They explain that, as strange as it sounds, there's something about having your album illegally downloaded that let's you know you've really made it.

I asked them about their ideal tour, and they put together a diverse list of tourmates: Led Zeppelin, Andrew WK, Underoath, Letlive, and Ellie Goulding.
I was eager to talk to the band about their music videos-- some of the best and most theatrical I've ever seen. They explained that they come up with concepts based on indie films. Where the music is more emotionally driven and personal, the videos are cinematic, focusing on a plot and an event rather than the story of the song.

If you want to catch the band before they blow up, head over to their facebook, or grab their album "Nomad" on itunes!
1 Comment

My Warped Tour Top Ten

7/19/2015

1 Comment

 
Warped Tour this year was absolutely phenomenal-- the mix of artists was great, the weather was great, and I didn't get sunburnt. I could spend a week talking about everything I crammed into one day at punk rock summer camp, but I've condensed it down into one top ten list, for your reading pleasure.
1. Mallory Knox
I had seen Mallory Knox once before, opening for Sleeping With Sirens and Pierce The Veil on The World Tour. They were great then, but my interest had dwindled in the months between. It took fifteen minutes pressed up against their stage to reinvigorate the flame-- they are a true punk band in that their power really has to be absorbed in a live setting. You aren't getting the true Mallory Knox experience streaming them on your couch.
Picture
3. New Beat Fund
I am absolutely obsessed with the image of New Beat Fund. Their music is fun and infectious, but their visual presence is even stronger, like an Easter basket come to life. I don't even like the beach and New Beat Fund had me gunning to run off to Hawaii the second I got the chance.
Picture
5. August Burns Red
Left. Shark.
6. Meghann Wright
I actually got the chance to talk to Meghann for a few minutes after her set at the Acoustic Basement. Seeing acoustic sets on Warped Tour is like seeing a penguin on a beach-- strange but completely provided for by nature (seriously, there are penguins that live on beaches). Meghann, who grew up in Hawaii, has all the punk intonations-- songs about fucking up, about drugs, about changing things-- but paired with upbeat acoustic backings. Meghann said that, growing up in Hawaii, there was a more accepting music community that prized all types of music. But hard work is still the name of the game-- her advice to anyone looking to become a Warped Tour artist is to be your own biggest champion, no one else is going to do the work for you.
Picture
9. Pierce The Veil
Pierce The Veil are so good. Just. So good. They're, technically speaking, one of the best bands in the scene today, and instead of relying on technical prowess they they turn their attentions towards making the best music they possibly can. They don't rest on their laurels-- they make the best sound, the best show, and the best records they can, demonstrating just how much they deserve their success.
10. MACARONI AND CHEESE EGGROLL
This isn't even Warped Tour- it's one of the food carts that was at the stadium that day, but I ATE AN EGGROLL STUFFED WITH MACARONI AND CHEESE, HOW AM I EVER GOING TO FEEL THAT LEVEL OF HAPPINESS EVER AGAIN?
Picture
2. Juliet Simms
I fell in love with Juliet's voice last year listening to Automatic Loveletter in the office at my internship. I honestly knew very little about her solo career aside from the single "Wild Child," so I lucked out when I decided to stop for her set. As with Mallory Knox, Juliet Simms has so much more power in a live performance, where it's guitars and drums and her unbelievable voice instead of studio magic pumping out of the speakers. She gave one of the most visceral performances I have ever seen from a solo singer.
Picture
4. Icon For Hire
Am I enamored with Icon For Hire? Yes. I've been listening to them for probably five years now, and I never thought I'd see them live, let alone three times in the span of a year, let alone photograph them performing. There's something about this band that gets under your skin and changes your entire world. There's anger and rage coupled with so much hope and power that the set becomes less a concert and more a rally for you to go out and save your own life. 
Picture
7. Pvris
Pvris are absolute game changers. As great as they are recorded, they're ten times better live-- with all the programming done in person and Lynn Gvnn's voice unhindered by a studio-- hearing her sing in person is like conducting a seance and filling a room with benevolent (if not somewhat terrifying) ghosts.
8. Warped really stepped up their heat game
I should save this space for a band, but I have to give major credit to the Warped Tour team for stepping up their game in the battle against the weather-- in addition to their normal free water stations, they added empty tents for shade (in lieu of sitting behind tractor trailers like last year) and added portable cooling stations with misters and fans. As someone who cannot tolerate heat (and does not want to tolerate heat, I have to give them kudos for their valiant efforts to fight the sun.
Picture
1 Comment

Two Cheers For Two Cheers

7/6/2015

0 Comments

 
Picture
In just a few short weeks Two Cheers are releasing their new album Splendor, a summery, deceptively upbeat album, featuring major chords with major angst. If you've got a taste for The Wombats, The Strokes, or Neutral Milk Hotel, you'll want to get your hooks into Splendor. I recently got to talk to vocalist Bryan Akcasu about their music, their writing, and their new album.

(Photos by 
Shab Ferdowsi)

1. First, please introduce yourselves!
 
My name is Bryan, I am the singer of Two Cheers and I also play rhythm guitar. Mitchell plays lead guitar, Al plays bass, and another plays Bryan the drums. Our good friend John O’Reilly Jr. also played drums on the record. 

2. When you sat down to write this album, what were you hoping to achieve?
 

We sort of knew we were probably writing songs for an album, but most of the time we were just playing with ideas for the sake of it. In the past, we used to write songs in a very crafty way, kind of from the top down, and we wanted to break out of that and capture more improvisational, off-the-cuff elements.  Sometimes we’d build a whole song around a tiny fragment of a riff. The entire song "Super Owls" was built around the brief chromatic power chord riff right before the chorus… It was a weird little thing that Mitchell was playing during one of our girlfriends’ play dates and I thought it would be fun to try to make a song out of it - kind of building a song from the inside out. I don’t have very lofty goals when I set out to make a song; my songs often start out as curiosities and only later do they become meaningful to me. Most of them do, anyway.  

3. The entire album was created in an apartment, how was this different from working in a studio?


I’ve actually only worked in a proper studio a handful of times, and I’ve found that I am way more comfortable recording in a non-traditional studio environment. I find it very unpleasant to be on the clock when I am trying to capture a particular emotion or performance. Plus, I know what kind of microphones, preamps, compressors, and reverbs I like to use for each instrument, and I have them all set up and ready to go in my home studio. There is no prestige about it. For instance, I recorded the vocal for “The Explode Boys” in the middle of the night, right after I brushed my teeth before bed.

That said, there a few producers I’d like to work with if my budget ever allows it… 

4. How did you achieve the unique musical tone of the album?


We used only a handful of instruments, amps, and effects for the album demos, and so they all kind of shared an aesthetic. I think the song that became “Splendor” was the blueprint in that regard. For example, we used Mitchell’s Fender Jaguar through a small Vox tube amp and some classic Lexicon reverbs and delays for most of the lead stuff. I used those same reverbs and delays on my vocals as well to give them the same vibe and authority. I also used only a small handful of organ tones from an old Roland JX-3P.

On top of that, we came up with all the songs in a relatively short amount of time, maybe four or five sessions over the course of a few months, so our tastes probably didn’t change too much during the demoing stage. Then, throughout the whole recording/mixing process we referenced our demos a lot to make sure the final recordings had the same flavor and excitement as the original sketches. But I think the fact that we were in complete control of every technicality from the demoing to the recording to the mixing to the mastering gave us the opportunity to craft a distinctive, pure sound without any compromises.   

5. The album feels like a story- what story were you hoping to tell with the songs?


Well, the story isn’t an explicit one; it’s only a story in the sense that there is a spiritual, emotional progression that takes place from the beginning to the end. I mean, the details come from my life, but only in a very mixed up, asymmetrical way -- kind of like a collage of flashbacks. I can’t really explain it too much. That said, it’s vaguely a story about a series of cataclysmic experiences in my life that transformed my whole psyche.   

6. How do you reconcile such melancholy lyrics with the upbeat music?


I don’t think the lyrics are particularly melancholy! I think that many of them deal with death, loss, insanity, and mourning, but even in those that do, it is in the spirit of facing those things, embracing those things, healing from them, and restructuring reality in order to deal with them. That's the gift of death -- it reminds me that nothing can be taken for granted and every moment I remain alive is sort of a revelation. Of course, life is still going to be harrowing, but I feel like there is a way to embrace the hardship. “Let Me Remember” and “Life Is Full Underground” are both about that: I’m telling myself to go ahead and hurt as badly as I can, to mourn with zeal, to remember everything about the dead as intensely and vividly as I can, but to do it all in the spirit of celebrating the life about me. Despite all that, the whole thing is still a fantastic, wondrous array. That’s why the album is called  Splendor. 

 
7. What surprised you most about making this album?


I was surprised by how naturally it came about. The music, the lyrics, the tones, the arrangements, and the concepts all seemed to just happen of themselves. The few times I had blocks on the lyrics it was because I had started trying too hard, so I picked up on that and just walked away for awhile. The hard part was in all the technical aspects of capturing it, particularly reproducing the energy and vitality of the demoes, and that is something I worked pretty intensely at and even fretted over a bit. But I think Mitchell and I tapped into something and it happened to be very deep and very generous! We are in love with these songs.

0 Comments

    Author

    Emily Becker

    Archives

    July 2015
    June 2015
    May 2015
    March 2015
    February 2015
    September 2014
    July 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    September 2013
    July 2013

    Categories

    All
    Are You Following Me
    Concert
    Interview
    Review
    State Of The Union
    Tales Of A Music Biz Wannabe
    Warped Tour

    RSS Feed

Proudly powered by Weebly